Documentation from the work process: A screenshot of a photo by Dan Robert Lahiani, a film still from a video by Adina Camhy and a satellite image of an abandoned quarry in Mitzpe Ramon (Google Maps), Adina Camhy and Dan Robert Lahiani, 2020

EXHIBITION “DIMENSIONS OF A FLOOR” – HOSTED BY DAN ROBERT LAHIANI

Dan Robert Lahiani hosts an exhibition that shows fragments of our work in progress aswell as two independent works in the two person exhibition “dimensions of a floor” as part of artist wall / manofim, Jerusalem. Adina Camhy and Dan Robert Lahiani put into...

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How To Disappear – Total Refusal - filmstill

AWARDS FOR THE SHORT FILM HOW TO DISAPPEAR (TOTAL REFUSAL)!

I am overwhelmed that the Film “How to Disappear” (by Total Refusal: Robin Klengel, Leonhard Müllner, Michael Stumpf), for which I composed the music, received several awards during the last week! GRAND JURY PRIX / 25 FPS Festival Zagreb (HR)INNOVATIVE AWARD / Crossing Europe...

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cinema next tour - Graz Ankündigung

cinema next on tour

Ich freue mich sehr, dass die beiden Kurzfilme Mensch Maschine Or Putting Parts Together und How to Disappear (Total Refusal) im Rahmen der cinema next tour gezeigt werden. In Graz laufen die beiden Filme sogar im selben Kurzfilmprogramm. Termine: 7.10. Gartenbaukino Wien *13.10. Schubertkino...

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Grazrand: über die Wiese mit Schöcklblick

SOUNDSCAPES VOM GRAZRAND AUF RADIO HELSINKI

Am 29. September wird im Rahmen von Grazer Soundscapes von 19:00-20:00 die Sendung Soundscapes vom Grazrand von Sarah Kieweg auf Radio Helsinki gesendet. Eine Stunde lang werden Soundscapes vom Grazrand zu hören sein und dazwischen Berichte von Robin Klengel und mir über unsere Expedition...

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filmstill: Money is a Form of Speech / Total Refusal

WORK IN PROGRESS: MONEY IS A FORM OF SPEECH / TOTAL REFUSAL

23.09.2020 stormy weahter – exhibition opening, Kunstraum Niederösterreich I made the music for a work in progress version of Total Refusal’s “Money is a Form of Speech” – a postapocalyptic lecture ballet about capitalism and democracy. The work is shown as part of the...

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